You do not belong in the Gaston Leroux novel. You are the result of Susan Kay's greatest design... you are
Immortal Erik, efficient, perfect, flawless and refined in every single way. Everyone starts off afraid, intimidated or awed
by you, but in the end, everyone loves you. Absolutely everyone. You even managed to win Christine. Problem is, you belong
completely in Susan Kay's 'Phantom', because unlike your counter-self from the Gaston Leroux novel, you do not beg.
You are the unusual, bizarre black satin mask, featured only once in a most crucial scene in the Gaston
Leroux novel. You are mysterious, hidden and secretive, almost ethereal and phantasmal. If you have a secret to hide you would
hide it well. You would be perfect in Erik's more covert businesses, such as snatching famous opera singers from their dressing
rooms through mirrored doorways ...
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